Miami Circle / An invitation to SCAD students
Your designs.
A new collection.
Help us create original art, wallpaper lines and interior collections that give a room its own point of view.
We’re inviting artists and designers to share original work for development with Miami Circle: art prints, wallpaper through Buckhead Wallpaper, murals and other decorative surfaces.
Submit your designs How the collaboration works ↓Made to live
in a room.
The opportunity
An original line.
With your point of view.
Miami Circle connects original design with interior designers sourcing for real projects. Our platform brings art, wallcoverings, furnishings and lighting together, with shared selections and project briefs. We’re developing our own collections within that setting. Stone Madison brings production and marketing; you bring the artwork and design voice.
Selected work can be developed for print, presented in room visualizations and lookbooks, and introduced through our customer and project channels. We’re interested in individual designs and families of patterns that belong together.
From portfolio to possibility
How we work together.
- 01
Share your direction.
Send existing work, a portfolio or a small collection of concepts. Show us your eye for pattern, composition, colour and scale.
- 02
Develop the collection.
If there’s a fit, we’ll discuss formats, repeat, scale and colourways, along with the scope of any further development.
- 03
Agree. Produce. Introduce.
We agree licensing, designer credit and compensation in writing before commercial use, then prepare selected work for production and marketing.
Production possibilities
Choose the surface that serves the art.
Our production sources offer several ways to bring original work into an interior. We match the artwork, size, finish and project to the appropriate process.
Fine-art paper
Giclée prints on smooth archival matte, cotton-rag and textured papers, plus photographic luster, gloss and metallic-paper finishes. A choice of surface can change how a painting, illustration or photograph reads.
Framed & mounted prints
Framed paper artwork and foam-mounted paper options for finished presentations, coordinated groupings and interior installations.
Metal prints
Artwork and photography reproduced on coated aluminum using dye-sublimation, offering a distinct surface and presentation from paper or canvas.
Canvas formats
Rolled, stretched and framed canvas options, selected according to the artwork, intended scale and room.
Original wallpaper
Repeat patterns adapted for wallcoverings, with non-pasted, pre-pasted and peel-and-stick materials available through custom-print sources. Material and installation suitability are confirmed for the project.
Wall-sized murals
Illustration, painting or photography composed for a particular wall and produced as coordinated panels. Overall proportions and panel layout are developed together.
Large-format fabric artwork is another project option to discuss: printed fabric fitted to a compatible frame, with the possibility of replacement graphics. We confirm the production source, system, dimensions and finish for each project. Availability and specifications vary by format.
Savvy Staged / Production & representation
One design. More ways to reach a room.
Savvy Staged is also available as a route to represent selected artists and design collections for repeat production and volume orders. Think coordinated art packages, multiple sizes, companion designs and collections for stagers, interior designers and property projects.
Tell us if you are interested in this commercial side of your work. Representation scope, production quantities, licensing and compensation are agreed for each collection; selection does not guarantee sales or a production run.
Designing for the wall
How to prepare a wallpaper idea.
Use this guide to explain the work you already have. Concepts are welcome; production-ready files are not required for the first review.
1. Choose pattern or mural.
A repeat pattern uses a design unit that can continue across a wall. A mural is one larger composition arranged across wall panels. Tell us which you intend. Standalone art submissions do not need a repeat.
2. Test the repeat.
For a straight repeat, matching edges must meet cleanly left to right and top to bottom. Show the tile repeated at least three times across and down. Check for visible joins, cut-off motifs and unintended stripes or gaps. If using a half-drop, show the staggered layout and label it.
3. Give it a real scale.
State the intended repeat width and height in inches or centimetres, and the approximate size of the main motif. A room mockup helps show the relationship to furniture. For a mural, give the proposed overall width and height and show where key elements sit.
4. Show the colour direction.
Include your main palette and any alternate colourways you have. Consider how the design reads over a large area and alongside furnishings. Screen colour is a starting point; printed proofs on the chosen material are needed to evaluate the final result.
5. Think about a collection.
An individual piece is welcome. If you have related work, show a lead design with quieter coordinates, alternate scales or complementary artwork. Explain what connects them and the kind of interior you imagine.
6. Send previews. Keep the masters.
A PDF can combine the original tile or mural, a repeat preview, colourways and scale notes. JPG, PNG and WebP previews also work. Keep layered/vector originals or your highest-resolution scans. Final panel widths, bleed, resolution and colour profile will be specified for the selected printing process.
For interior designers / Source the whole room
Discover. Collect. Specify.
Explore art, wallcoverings, furnishings and lighting. Bring your saved selections into a project brief with room details, images and plans.